Contributor: Tjaša Kalkan

Tjaša Kalkan holds a Masters in photography from ADU Film and Theatre University in Zagreb, and a Bachelor's degree in German and French language and literature. She has exhibited at seven solo and over twenty group exhibitions, and worked as a set photographer on several international film sets, as well as frequently collaborating on theatre, dance and music projects. She is a late convert to silent disco.

instagram.com/tjasakalkan/

Blueprint City

Holzmarkt: How ‘Business Hippies’ Reinvented Berlin

The development of Holzmarkt has shown that Berlin is capable of both imagining and creating places of social cooperation. Once organisers of illegal raves, a group of friends are now building a whole new district; and with it, reimagining the city's future.

Blueprint City

Amsterdam Social Housing: A Primer

The residential variety across Amsterdam city is stunning. Some rents are high, but many more are controlled, kept affordable by non-profit associations that deliver the bulk of housing in the Netherlands. From the expressive brickwork of early 20th-century workers’ dwellings to a new generation of refugee-inclusive youth housing, Amelyn Ng explores the system of affordable housing allocation in Amsterdam.

This Vertical Life

Unfolding Pavilion

Many people don't know that there is social housing throughout Venice: in the 1970s, the city embarked on an ambitious process of commissioning architecturally significant public housing projects that artfully blend into the city's medieval urban fabric. Possibly the best of them is Gino Valle's project in Giudecca, which featured in Unfolding Pavilion at the 2018 Venice Biennale of Architecture. Jana Perković spoke to the curators about why social housing still matters.

Perspectives

Venice 2018: De-obfuscating Architecture’s Mandate

The 16th Venice Architectural Biennale put generosity of spirit and a sense of humanity on top of architecture's to-do list. AP editor Jana Perković and regular contributor Amelyn Ng were there to take stock of the responses – from the most grandiose nation-affirming pavilions to the most humble off-program.