What can we do about the climate crisis? What is ‘smart’ about ‘smart cities’? How do we build housing both affordable and beautiful? And what is the legacy we are leaving to the future generations? Following the release of Assemble Papers’s latest print edition (#12: (Future) Legacies – available all summer long at MPavilion), we […]
Mona has captured the hearts of many – financial freedom, combined with a willingness to take risks, has made this museum a genuinely experimental project, rejecting the unadventurous and embracing the new. Emma McRae delves into the museum’s history and how it has transformed the way Tasmanians, and Australians, view the island state. “When David […]
Evelyn Ida Morris, also known as Pikelet, is a musician who glides effortlessly between looping pop and structurally complex, experimental compositions. With a long career spanning four celebrated experimental pop albums as Pikelet, voted one of '50 Most Powerful People in the Australian Music Industry', a co-founder of LISTEN advocacy group for gender diversity and politics in Australian music, they are a legend of Australian independent music. Evelyn has prepared us a winter mix, which expands on the themes of their 2019 self-titled album: lush, post-classical compositions focusing on the piano, and dealing with the non-binary experience of gender.
For the 2019 season of our beloved EARS mixtape series, Assemble Papers is partnering up with Courtney Barnett and Jen Cloher's Milk! Records. to bring you a year of good tunes from the indie Melbourne music scene. Opening act: Hollie Fullbrook of Tiny Ruins brings us a folkie mix titled, simply, 'Autumn'.
Our series ‘Circular Thinking’ brings together insights from our workshops on the circular economy. In our last instalment, we look at what it takes to close the loop on food waste, with Kirsten Larsen and Jen Sheridan from Open Food Network.
On one of the coldest spring mornings this year, dozens of Melburnians hauled themselves out of bed to come and listen to a series of panel discussions on how we can create cities that, quite simply, work better for everyone. For those who couldn’t attend The Living Closer Together Symposium, here’s a short recap of the ideas explored across the four panels.
Jurien Bay and Wedge Island in Western Australia were landscapes once dominated by informal settlements. However, suburban developments are now reaching WA's central coast. Felix Joensson, from our West Coast partners Future West, asks the question – how do we create beachfront suburbs with soul?
In collaboration with RMIT Design Hub, Assemble Papers is excited to bring you Season 1 of our podcast, 'Supercast', exploring the sensory experience of built and unbuilt environments. Listen now at supercast.fm.
Parklets are democratic - made for the public, they cannot be controlled by private interests. In the latest instalment in our series of articles from our West Coast partners, 'Future West', researcher Amelia Thorpe looks at why parklets are so popular.
Let's not get so caught up in the promises of 'smart cities' to forget that we live material lives. In the latest instalment in a series of articles from our West Coast partners 'Future West' (Australian Urbanism), Dr Sarah Barns, research fellow in the Institute for Culture and Society, considers putting digital to work in shaping great places.
What will the museum of the future be like? Senior curator at ACCA Annika Kristensen considers the meaning of 'civic' architecture and how an institution might contribute to the public good. It's the latest in our series of articles from Future West – a West Coast publication rethinking the future of urbanism through Western Australia.
Tasmanian artist Helen Wright (the artist featured on the cover of our latest print issue!) is concerned with the uneasy coalition between humans and the natural world. Through her paintings, drawings, prints and the cast sculptures we see a playful yet political reminder of the fragile balances of this relationship. Here, she shares with us some of the thinking behind her multidisciplinary practice.
Using jellyfish as a motif to examine consumption, environmental degradation and other critical issues associated with global warming, Penelope Davis's 'Sea-change' considers the future of climate change through the eyes of the ocean. We recently caught up with Penelope to find out about the process behind a work that poetically evokes the symbiosis – at once beautiful and monstrous – between humans and nature.
Berlin-based architect Kristien Ring speaks with Geoffrey London about the German phenomenon of apartment-building design and development driven by citizens. It's the latest instalment in our series of articles shared from 'Future West (Australian Urbanism)', a new print publication considering the future of urbanism through Perth and Western Australia.
If urban planners, developers and local citizens engage on driving density in Perth, they might just find there's a lot of common ground, says urbanist Nic Temov in this article from Issue Two of 'Future West (Australian Urbanism)' – a new print publication considering the future of urbanism through the lens of Perth and Western Australia.
We'd love to know more about our readers (that's you!) and find out what you think of Assemble Papers. Tell us your thoughts to go in the running to win prizes from St Jerome's The Hotel, Alpha60 and Pop Plant.
In our second article shared from 'Future West (Australian Urbanism)', a new print publication considering the future of urbanism through the lens of Perth and Western Australia, Brad Pettitt and Peter Newman consider how a WA-based solar project might advance the future of home solar technology, with over one in five households in Perth now generating solar energy.
At just 36 square metres, this miniscule Darlinghurst studio was the ideal challenge for interior designer (and small footprint living enthusiast) Sarah Jamieson's first apartment project. Drawing on her background in fine arts and installation, Sarah renovated the studio – housed inside a 1929 art-deco building – with the goal of maximising space while remaining sensitive to its original form.
Almost a year after their first exhibition at the National Gallery of Victoria, 1-OK Club’s second effort is finally here! We’re proud to be presenting it at the current Assemble Papers HQ, 122 Roseneath St. Opening Friday 1 July, ‘WORKS 44-52’ will see nine designers showcase nine new works both #IRL and digitally. We caught up with Dale and André ahead of the opening.
We're sure you've heard by now of the Brutalist Block Party, the May-long program of events we're presenting with Open House Melbourne. Central to BBP is the involvement of Melbourne creative studio Practise Studio Practise, who'll be presenting a spatial installation, two workshops, and a dining series with Otis Armada. We catch up with PSP ahead of the event.
Photographer Morgan Hickinbotham works across the fashion, design, architecture and commercial spheres. Seeing and thinking in sound and vision, he also makes music and video art. He is interested in the aesthetic of imperfection, or, as he says, “the minor narratives that are otherwise locked up inside the bigger picture.” Here he shares this series shot across seasons and emotions, in Japan.
The Fifth Estate's Willow Aliento speaks to Dane O’Shanassy, Patagonia Australia and New Zealand general manager, about the rise of the "conscious consumer" and how good business can actually inspire its customers to buy less. Find out how the renowned B Corporation-certified outdoor clothing and equipment company "uses business to inspire solutions to deal with the environmental crisis."
As The Fifth Estate's Cameron Jewell discovers, we’re spending US$550 billion a year on fossil fuel subsidies globally. But freeing up just a small portion of this money could finance access to water, sanitation and electricity for everyone on earth, according to a new commentary piece published in the journal 'Nature Climate Change'.
The second in our Backyard Bungalow series is a beautifully tiny abode belonging to Schoolhouse Studios’ Alice Glenn and her pint-sized sidekick Otis, which is tucked away behind her Auntie’s place in Clifton Hill. The building itself has existed for several decades, but has been coaxed into its current (very comfortable) iteration thanks to a couple of renovations over the years.