My story Watershed is a deep time impression of Melbourne. I collaborated with Boonwurrung Elder N’arwee’t Carolyn Briggs and the story is informed by Boonwurrung cultural heritage concerning sea level rise. Facilitated by Arts House Melbourne I spent twelve months writing Watershed while consulting with N’arwee’t. Aunty Carolyn and I are very proud of it […]
Hope St Radio’s founder Pete Baxter has his finger in many pies — from DJ, to music curator, and maker of fine wine. With Hope St Radio, his roaming radio station broadcasting from different venues around Melbourne, he brings people from all walks of life together through music. In 2021 Hope St Radio will find […]
Though change in our suburbs is inevitable, reminders of days gone by will always exist. The past catches up with the present in photographer Warren Kirk’s new book Northside: a time and a place. A tribute to our memories, and a reminder to look closer at the world around us, the book documents some of […]
The effects of the Covid-19 pandemic have exasperated underlying structural conditions and inequalities we face as a society. Here in Australia, an underfunded art world is struggling to stay afloat. What do contemporary arts organisations and institutions look like in a post-pandemic world, and how can their financial models become more sustainable? Artistic Director and […]
Mabu Mabu is a Torres Strait Islander owned and run café, catering and food business with an emphasis on using fresh, seasonal and native ingredients to create beautiful dishes that bring people together. Nornie Bero is the head chef and business owner. A Meriam woman of the Komet Tribe, Bero is originally from Mer Island in the Torres Strait, and […]
As we head into Autumn here in Melbourne, and slowly start to ease out of the lockdowns which have changed reality for many, our partner for this year’s EARS mixtape series Hope St Radio brings us some tunes from their community. Sheltering in his house and studio in Rye on the Mornington Peninsula, producer and […]
Gerardo Lopez and Diana Hull started La Tortilleria in 2013 from a mutual desire to share traditional Mexican food, and Mexico’s rich culture, with Australia. In the early days, real Mexican food wasn’t well known in Melbourne, people were just starting to explore the cuisine, which at the time was largely misrepresented by hard-shell tacos […]
Adrian Lahoud’s practice interrogates the intersection of architecture, climate change and colonisation. His curatorial strategy for Sharjah Architecture Triennial, ‘The Rights of Future Generations’, is the culmination of decades of research into the spatial consequences of conflict. Lauren Crockett sat down in conversation with Adrian, after his presentation at the Living Cities Forum in 2019.
For the 2020 season of our much loved EARS mixtape series, Assemble Papers is partnering up with Hope St Radio to bring you a year of good tunes and good times. In a world of hashtags and algorithms, and in a culture which thrives on passivity, radio as a voice is more important than ever. […]
The offices and sound studios of Dex Audio look out over Macaulay Road in Kensington. I’m talking with co-founder Greg Williams, and he gestures at the footpath out the window where an impromptu crowd would gather to watch the ‘gig’ on the odd Saturday afternoon back in the 1990s. When Dex Audio was commissioned to produce an outdoor sound system, the audio engineers would have to test the rig in open space – so they would pull up the roller door and blast music out to the street.
From the Wet Tropics to Byron Bay, Cristina Guerrero takes us on a journey of lonely beaches and hidden beauty – an ode to the ocean and our connection to nature. At a time when climate change is at the forefront of our minds, Cristina’s photographs are a reminder to protect and preserve our planet […]
What can we do about the climate crisis? What is ‘smart’ about ‘smart cities’? How do we build housing both affordable and beautiful? And what is the legacy we are leaving to the future generations? Following the release of Assemble Papers’s latest print edition (#12: (Future) Legacies – available all summer long at MPavilion), we […]
Mona has captured the hearts of many – financial freedom, combined with a willingness to take risks, has made this museum a genuinely experimental project, rejecting the unadventurous and embracing the new. Emma McRae delves into the museum’s history and how it has transformed the way Tasmanians, and Australians, view the island state. “When David […]
Evelyn Ida Morris, also known as Pikelet, is a musician who glides effortlessly between looping pop and structurally complex, experimental compositions. With a long career spanning four celebrated experimental pop albums as Pikelet, voted one of '50 Most Powerful People in the Australian Music Industry', a co-founder of LISTEN advocacy group for gender diversity and politics in Australian music, they are a legend of Australian independent music. Evelyn has prepared us a winter mix, which expands on the themes of their 2019 self-titled album: lush, post-classical compositions focusing on the piano, and dealing with the non-binary experience of gender.
For the 2019 season of our beloved EARS mixtape series, Assemble Papers is partnering up with Courtney Barnett and Jen Cloher's Milk! Records. to bring you a year of good tunes from the indie Melbourne music scene. Opening act: Hollie Fullbrook of Tiny Ruins brings us a folkie mix titled, simply, 'Autumn'.
Our series ‘Circular Thinking’ brings together insights from our workshops on the circular economy. In our last instalment, we look at what it takes to close the loop on food waste, with Kirsten Larsen and Jen Sheridan from Open Food Network.
On one of the coldest spring mornings this year, dozens of Melburnians hauled themselves out of bed to come and listen to a series of panel discussions on how we can create cities that, quite simply, work better for everyone. For those who couldn’t attend The Living Closer Together Symposium, here’s a short recap of the ideas explored across the four panels.
Jurien Bay and Wedge Island in Western Australia were landscapes once dominated by informal settlements. However, suburban developments are now reaching WA's central coast. Felix Joensson, from our West Coast partners Future West, asks the question – how do we create beachfront suburbs with soul?
In collaboration with RMIT Design Hub, Assemble Papers is excited to bring you Season 1 of our podcast, 'Supercast', exploring the sensory experience of built and unbuilt environments. Listen now at supercast.fm.
Parklets are democratic - made for the public, they cannot be controlled by private interests. In the latest instalment in our series of articles from our West Coast partners, 'Future West', researcher Amelia Thorpe looks at why parklets are so popular.
Let's not get so caught up in the promises of 'smart cities' to forget that we live material lives. In the latest instalment in a series of articles from our West Coast partners 'Future West' (Australian Urbanism), Dr Sarah Barns, research fellow in the Institute for Culture and Society, considers putting digital to work in shaping great places.
What will the museum of the future be like? Senior curator at ACCA Annika Kristensen considers the meaning of 'civic' architecture and how an institution might contribute to the public good. It's the latest in our series of articles from Future West – a West Coast publication rethinking the future of urbanism through Western Australia.
Tasmanian artist Helen Wright (the artist featured on the cover of our latest print issue!) is concerned with the uneasy coalition between humans and the natural world. Through her paintings, drawings, prints and the cast sculptures we see a playful yet political reminder of the fragile balances of this relationship. Here, she shares with us some of the thinking behind her multidisciplinary practice.
Using jellyfish as a motif to examine consumption, environmental degradation and other critical issues associated with global warming, Penelope Davis's 'Sea-change' considers the future of climate change through the eyes of the ocean. We recently caught up with Penelope to find out about the process behind a work that poetically evokes the symbiosis – at once beautiful and monstrous – between humans and nature.