The Perth Institute of Contemporary Arts is currently playing host to an exhibition of work responding to the 50th anniversary of the 1967 Referendum which recognised Aboriginal and Torres Strait Islanders as Australians for the first time. Considered by many to be a major turning point within the context of Indigenous affairs, the exhibition explores the range of consequences the Referendum result had on Indigenous Australians – some of these effects positive, some negative, many unanticipated and many still ongoing. Presenting distinguished artists working in both traditional and contemporary media, belonging to Aboriginal communities located across Western Australia, the show presents a matrix of multi-layered, sometimes overlapping, sometimes conflicting perspectives on a pivotal national event.
Main image: ‘Larrgen’ (2011) by Peter Newry, courtesy PICA.
Where: Perth Institute of Contemporary Arts, 51 James Street, Perth
China’s nightclub scene emerged in the early 1990s as a crucial place for collective gathering, quickly becoming a new meeting place for intellectuals and artists where radical ideas and thoughts could be freely exchanged.
Today, Chen Wei has painstakingly researched, recreated and photographed a visual archive of '90s Chinese club culture in an effort to document these revolutionary settings
Critic, curator, editor and provocateur Mimi Zeiger has written three books on tiny houses. Now, she turns to utopia: how do speculative fictions and futurisms drive architecture? Her hometown of Los Angeles is a case in point, a depository of radical dreams, be it Afro-Futurism or a promise of downtown walkability
Carine Thévenau documents and examines deserted playground relics of the Japanese 1980s financial boom (and bust). The abandoned structures create a visual silence, allowing room for curiosity and critical thought. This interval, referred to as “Ma” in Japanese philosophy, is defined as a space between, or a pause that enables space for emotion, thought and life to pass through it