Currently happening at RMIT Design Hub,Super Fieldpresents the work of 19 artists responding to the unique and particular conditions surrounding certain remote and isolated locations. The works on show – divided into sound and vision – are a response by each artist to the environments researched and experienced during a prolonged period of immersion within the selected locality. The exhibition comprises four programs – corresponding to four specific geographic regions – changing over the course of the three-month exhibition span. High Country: The Australian Alps, A Surrender to Nature: The Kimberley, and Glacial Erratic: Antarctica and the Arctic were featured from December to late January, with the final program, Unheard Spaces: International wilderness area, currently on show. The exhibition was curated by the Bogong Centre for Sound Culture whose mission is to explore the history, ecology and communities of the Australian Alps through the provision of support and residencies for artists.
Six years after co-founding Assemble, Pino Demaio has decided to resign from his role as Director. Pino remains focused on his strategic design practice, Local Peoples, and his editorial interests through Matters Journal
Australians Laura Castagnini and Megan Wong moved to London four years ago to pursue their passions: contemporary art and political activism. Between feminist art history and human rights law, this is a couple whose shared life is dedicated to shifting culture. We visit their home in Camberwell, close to radical art spaces, farmers' markets and tiny green parks
At the 16th Venice Architecture Biennale, no less than three national pavilions examine the walls around nation-states. How complicit is architecture in separating us from each other? Our resident wall critic Amelyn Ng reflects on the architecture of isolationism, and the geopolitics of walls