The Human Rights Arts & Film Festival (HRAFF) is celebrating its 10th birthday this year, with an exciting new selection of international and locally made films, a packed arts program and topical forums exploring diverse and inspiring human stories through film, art, music and more. The festival opens on Thursday 4 May in Melbourne, before touring a highlight package to Sydney, Canberra and Brisbane as well as screenings in Perth and Hobart.
– The world premiere of Happyland by director Marti Salva. Set in Manila’s slum communities of Baseco and Happyland (from a local word ‘hapilan’, meaning ‘dumpsite’), where many residents live in makeshift homes built with scavenged waste. In 2016, two artists decided to change this through an art installation and housing project. The session in Melbourne includes a post-film Q&A with the filmmakers, and an exhibition of one of the artist Kaff-eine’s work will be showcased at No Vacancy in Federation Square.
–Raving Iran spotlights the music of Iranian DJs Blade & Bear, whose music is deemed illegal in their home country. Susanne Regina Meurs followed the DJs for a year during a crucial phase in their lives. For security reasons, most of the film was shot using mobile phones.
– Australian feature doco Constance on the Edge, directed by Belinda Mason, is an honest portrayal of one refugee family’s resettlement in Australia. The session will be followed by a post-film Q&A with its producer, Marguerite Grey.
– Hear My Eyes: Fire at Seawas the winner of the Golden Bear for Best Film at the 2016 Berlin Film Festival. The film provides a moving portrait of the Mediterranean island of Lampedusa and the humanitarian crisis occurring in the seas around it. The screening is set to feature a live rescore by Evelyn Ida Morris (Pikelet) and a group of musicians who will provide an original score using rare instruments from Ethiopia and the Middle East.
– Director Craig Atkinson’s Do Not Resist reveals the heavily militarised face of police institutions and the racism that plagues so many of them or lies beneath the surface.
Festival dates: Melbourne: 5–18 May at ACMI, plus art programming at various venues
Sydney: 23–27 May at Dendy Cinema Newtown
Canberra: 29–31 May at Palace Electric Cinema
Perth: Thursday 1 June
Brisbane: 1–3 June at Palace Barracks
Hobart: Friday 2 June
A temporary festival in the Nevada desert is a model for innovation in tourism – and more, says Melbourne-based researcher in Public Cultures, Bree Trevena. It’s the latest instalment in our series of articles shared from ‘Future West', a West Coast publication considering the future of urbanism through Western Australia
In a time when extraordinary experiences are being promoted by cities, towns and regions as part of a tourist package, the natural environment is under pressure to enhance its existing assets in order to be shared, liked, meme-d and appreciated. Georgia Nowak – via 'Future West (Australian Urbanism)' – looks at how new tourism infrastructure in national parks could support their conservation
Tasmanian artist Helen Wright (the artist featured on the cover of our latest print issue!) is concerned with the uneasy coalition between humans and the natural world. Through her paintings, drawings, prints and the cast sculptures we see a playful yet political reminder of the fragile balances of this relationship. Here, she shares with us some of the thinking behind her multidisciplinary practice