Now in its final few weeks at Montreal’s UQAM Centre of Design, Habitat ’67: The Shape of Things to Come examines the enduring legacy of Israeli-Canadian architect Moshe Safdie’s visionary urban housing complex, Habitat. Constructed in Montreal as a pavilion for the 1967 World’s Fair, the project comprises 354 identical prefabricated concrete modules configured in various combinations to create 146 residences of different sizes linked by exterior walkways and terrace gardens.
Habitat was intended by Safdie as a prototype for the future of urban living, combining the perceived benefits of suburban homes (gardens, privacy, air flow) with the seemingly impending future of increasingly dense and crowded cities. The Shape of Things to Come frames the goals of reimagining high density living and improving social integration as enduring themes of Safdie’s work arising out of the original Habitat research.
Browse conceptual drawings, objects and photos of the original complex, along with plans for several unbuilt iterations of the Habitat complex that Safdie designed for New York, Puerto Rico and Israel. A section dedicated to “Habitat for the Future,” presents a series of models and renderings exploring how one might approach building Habitat amidst the maelstrom of twenty-first century conditions and concerns.
Main image: the Habitat complex in Montreal, courtesy Alive 375.
Where: Centre de Design – UQAM, DE-R200, 1440 rue Sanguinet, Montréal
China’s nightclub scene emerged in the early 1990s as a crucial place for collective gathering, quickly becoming a new meeting place for intellectuals and artists where radical ideas and thoughts could be freely exchanged.
Today, Chen Wei has painstakingly researched, recreated and photographed a visual archive of '90s Chinese club culture in an effort to document these revolutionary settings
Critic, curator, editor and provocateur Mimi Zeiger has written three books on tiny houses. Now, she turns to utopia: how do speculative fictions and futurisms drive architecture? Her hometown of Los Angeles is a case in point, a depository of radical dreams, be it Afro-Futurism or a promise of downtown walkability
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