Assemble Papers Issue 7, ‘In/formation’, is out now in Melbourne and Sydney – with many more locations to be added! If we haven’t reached a stockist near you yet, check back here soon as we continue to spread our latest print issue far and wide.
Issue 7 is presented in partnership with CLIMARTE ahead of its upcoming ART+CLIMATE=CHANGE 2017 festival – an event that harnesses the creative power of the arts to inform, engage and inspire action on climate change. Inspired by the work of our partners, Issue 7 of Assemble Papers considers collective action and activism across the areas of art, design, architecture, urbanism and the environment in the information age, and the power of people to collectively enact real, tangible change on big and small scales. Also central to Issue 7 is the concept of citizen science – the collection and analysis of scientific data by members of the general public. What are the possibilities of grassroots and DIY citizen science techniques in investigating environmental, social and political concerns? And how can these techniques be employed in the arts and design spheres?
In this issue: the Wangan & Jagalingou people’s fight against Adani’s proposed Carmichael mine in Northern Queensland; Mel Evans and Liberate Tate take a stand against unethical arts funding; and a resident-led initiative at Bourj Al Shamali, a longstanding Palestinian refugee camp in Lebanon, uses a humble citizen-science technique to empower its inhabitants. Meanwhile, photographer Alisha Gore captures the heart and soul of Sydney’s under-threat Sirius building and some of its loudest advocates; Berlin-based architecture collective Raumlabor believes in the possibilities of urban occupation; and Ernesto Oroza documents resistance through design and everyday ingenuity in Cuba. We also sit down with Robin Boyd Foundation director and founder Tony Lee; Rafaela Pandolfini pays a visit to the home of Goodgod founders Jim Singline and Hana Shimada… and so much more!
Head to one of our many stockists to grab your free copy of Issue 7. If you’re unable to reach any of our listed locations but would still love to read the latest print edition, please send a prepaid/stamped self-addressed A4 envelope (for a 150g letter) to: c/o Assemble Papers, 150 Langridge Street, Collingwood, Victoria, Australia 3066.
Using jellyfish as a motif to examine consumption, environmental degradation and other critical issues associated with global warming, Penelope Davis's 'Sea-change' considers the future of climate change through the eyes of the ocean. We recently caught up with Penelope to find out about the process behind a work that poetically evokes the symbiosis – at once beautiful and monstrous – between humans and nature
Based on a prompt by French philosopher and urbanist Paul Virilio, EXIT (2008–15) is an experimental 360-degree installation created by Diller Scofidio + Renfro with a team of statisticians, scientists and geographers. Sara Savage speaks with Fondation Cartier curator Thomas Delamarre about working at the intersection of art and data, and about the role of cultural institutions in effecting change
Influential architect Robin Boyd, known for his sensitive variation of modernism, is a household name that stretches far beyond the architectural elite. Boyd’s is a legacy that has endured in his expansive body of work, lovingly upheld in no small part by the 2005-established Robin Boyd Foundation. Rachel Elliot-Jones visits founder and director, Tony Lee, at the Foundation’s headquarters in Melbourne