At the 16th Venice Architecture Biennale, no less than three national pavilions examine the walls around nation-states. How complicit is architecture in separating us from each other? Our resident wall critic Amelyn Ng reflects on the architecture of isolationism, and the geopolitics of walls
The 16th Venice Architectural Biennale put generosity of spirit and a sense of humanity on top of architecture's to-do list. AP editor Jana Perković and regular contributor Amelyn Ng were there to take stock of the responses – from the most grandiose nation-affirming pavilions to the most humble off-program
"When ‘family’ is unshackled from ‘nature’ and ‘biology’, and hitched instead to ‘choice’ or ‘artifice’ or even just to ‘love’, then the possibilities are endless.” Naomi Stead considers what is radical, what is family and questions how the limited stock of conventional family housing can serve, and impact, the potentially limitless arrangements of radical families
The business of building Walls is booming. Amelyn Ng looks at a recent architectural exhibition on 'Trump walls' in New York's Center for Architecture and asks: what makes a wall a political technology of separation?