The cultural fabric of cities, covering people and projects across art, architecture, design and cross-pollinated creativity with a focus on local makers and projects through to internationally good ideas.
Berlin-based architecture collective Raumlabor sees the city as a space for investigation, participation and endless possibilities. With much of its early work spanning the realm of temporary interventions, these days Raumlabor is turning its focus towards more enduring urban transformations. Emily Wong chats to co-director Christof Mayer about working at the intersection of art and city-making
Liberate Tate is an activist art collective, formed shortly after the Deepwater Horizon oil spill, that spent six long years campaigning British cultural institution Tate to drop its oil company funding through a series of nearly 20 unsanctioned performances, interventions and protests. Sara Savage speaks to co-founder Mel Evans about 'Big Oil', ethical sponsorship and the power of performance
At the 20th Biennale of Sydney, two works by Keg de Souza and Richard Bell addressed the widespread marginalisation of Aboriginal and Torres Strait Islander voices in Australia, and those of the country's various migrant populations. Genevieve Murray speaks with the artists about the significance of those works and the ways both artists utilise space to generate conversation around inequality
Taking place for the third time in 2016, this year's MPavilion comes from the architect Bijoy Jain of Indian architectural practice Studio Mumbai. We met up with Jain at Robin Boyd's Walsh Street House in Melbourne to discuss Jain's characteristic interest in traditional craftsmanship and human connectedness to the landscape, and to find out the story behind his MPavilion design
As co-founder of Dutch architectural office MVRDV, Nathalie de Vries has continued to push the organisation in search of a humanist, hybrid approach to creating liveable spaces. Considering the city as inherently constructed, MVRDV's approach remains provocative as it re-imagines our cities moving into the future
Over his three-decade career, Japanese architect Shigeru Ban has split his time between high-end commissions and humanitarian architecture for those who have, as he says, an abundance of "power and money", and for others for whom architecture is purely a means to survive. In the recent print issue of Assemble Papers, Eugenia Lim speaks to Ban about the quest for social purpose that drives his work