The cultural fabric of cities, covering people and projects across art, architecture, design and cross-pollinated creativity with a focus on local makers and projects through to internationally good ideas.
Cuba's 'Special Period in Time of Peace' – a euphemism for the country's economic crisis in of the 1990s – bred hardship, austere rationing, and a new material culture among citizens. Elliott Mackie speaks with Cuban designer Ernesto Oroza about the phenomenon Oroza describes as 'technological disobedience', highlighting both the ingenuity and sociopolitical and economic forces that have shaped Cuban design
Using jellyfish as a motif to examine consumption, environmental degradation and other critical issues associated with global warming, Penelope Davis's 'Sea-change' considers the future of climate change through the eyes of the ocean. We recently caught up with Penelope to find out about the process behind a work that poetically evokes the symbiosis – at once beautiful and monstrous – between humans and nature
Based on a prompt by French philosopher and urbanist Paul Virilio, EXIT (2008–15) is an experimental 360-degree installation created by Diller Scofidio + Renfro with a team of statisticians, scientists and geographers. Sara Savage speaks with Fondation Cartier curator Thomas Delamarre about working at the intersection of art and data, and about the role of cultural institutions in effecting change
Berlin-based architecture collective Raumlabor sees the city as a space for investigation, participation and endless possibilities. With much of its early work spanning the realm of temporary interventions, these days Raumlabor is turning its focus towards more enduring urban transformations. Emily Wong chats to co-director Christof Mayer about working at the intersection of art and city-making
Liberate Tate is an activist art collective, formed shortly after the Deepwater Horizon oil spill, that spent six long years campaigning British cultural institution Tate to drop its oil company funding through a series of nearly 20 unsanctioned performances, interventions and protests. Sara Savage speaks to co-founder Mel Evans about 'Big Oil', ethical sponsorship and the power of performance
At the 20th Biennale of Sydney, two works by Keg de Souza and Richard Bell addressed the widespread marginalisation of Aboriginal and Torres Strait Islander voices in Australia, and those of the country's various migrant populations. Genevieve Murray speaks with the artists about the significance of those works and the ways both artists utilise space to generate conversation around inequality