Melissa, Simon & Gustov: utopian heights
“This used to be Tai’s place [artist Tai Snaith]. She moved out and wanted to keep it ‘in the family’ and offer it to friends and we were lucky enough to take over the lease. I work from home on Mondays and Tuesdays as well as in the mornings before the gallery opens. Both of us are self-employed so we’re always working around the kitchen table on our laptops (and we’re trying to enforce a ‘no laptops upstairs in the bedroom’ rule). There’s an office downstairs: computer programmers and designers. It works out well – they keep to business hours and get work done. There are always people coming in and out for meetings, so it keeps things interesting. I was in East Melbourne before. It was tiny, like a hotel room! It had a little kitchen and bathroom, but I never felt confined, because half of the area is parklands. This space is generous by comparison. We can have dinner parties. In East Melbourne, when I had people over for dinner, we’d have to have picnics on the ground or eat on the bed! My favourite artworks are those that have a personal story or memory for me. Easey Street [a painting pictured below by Jake Walker, represented by Melissa’s gallery Utopian Slumps] was given to me by Jake, after a conversation we had over lunch about navigating ‘the art world’. The gallery used to be on Easey Street (in Collingwood), so it was a kind of tongue in cheek thing… ‘living on Easy Street’, ha!”
Simon recently sat on the can for Who gives a crap, a project that aims to build toilets in the developing world. Or, if you like feel-good beer (who doesn’t?), visit Shebeen for updates on Simon’s upcoming bar and sustainable enterprise.
Featuring artwork (in order of appearance) by: Caleb Shea, Brendan Huntley, Amber Wallis, Mark Rodda, Bec Worth & Joanna Zawadzka, Kate Smith, Amiel Courtin-Wilson, Tin & Ed, Ben Sanders, Newell Harry, Jake Walker, Josey Kidd Crowe, Thomas Jeppe, Lauren Berkowitz, Tai Snaith, Conor O’Brien.
- Clare Cousins remembers The Barbican. She was eight years old and living in London. Her father, a specialist surgeon had brought the family to the city via Berlin, and young Clare had her eyes open. She couldn’t articulate it at the time, but the Barbican’s imposing structure and raw textural qualities made an impression. Nadia Saccardo talks to Clare about her team's “collaborative, small-steps approach.”
- Cities amplify opportunity. In comparison to, say, life in a village, they offer greater opportunities for employment, for social connection and for exchanges of culture and experience. Maitiú Ward speaks to Paul Donegan, co-author (with Jane-Frances Kelly) of City Limits, a new book exploring the growing divide between our places of work and residence, our cities and suburbs – the good, the bad and the ugly, of Australian cities
- Kate Rhodes is co-curator at RMIT Design Hub, a purpose-built space dedicated to design thinking across research, exhibition and critique. When not striding the halls of the glacial Sean Godsell/Peddle Thorp building, Kate observes a cycle of a very different nature: the seasonal changes of her 8m2 kitchen garden plot at the North Fitzroy Community Rushall Garden. Here, Kate shares her gardening tips