Gallerist Melissa Loughnan and social entrepreneur Simon Griffiths recently became the new owners of Gustov, a British blue. To mark this occasion (and because we’d heard rumours of bountiful art and a cosy atmosphere), we sent NY-based photographer Paul Barbera to Mel and Simon’s warehouse in Fitzroy. Here are the beautiful results (dozens more ridiculously cute cat photos not pictured!).

Melissa, Simon & Gustov: utopian heights

“This used to be Tai’s place [artist Tai Snaith]. She moved out and wanted to keep it ‘in the family’ and offer it to friends and we were lucky enough to take over the lease. I work from home on Mondays and Tuesdays as well as in the mornings before the gallery opens. Both of us are self-employed so we’re always working around the kitchen table on our laptops (and we’re trying to enforce a ‘no laptops upstairs in the bedroom’ rule). There’s an office downstairs: computer programmers and designers. It works out well – they keep to business hours and get work done. There are always people coming in and out for meetings, so it keeps things interesting. I was in East Melbourne before. It was tiny, like a hotel room! It had a little kitchen and bathroom, but I never felt confined, because half of the area is parklands. This space is generous by comparison. We can have dinner parties. In East Melbourne, when I had people over for dinner, we’d have to have picnics on the ground or eat on the bed! My favourite artworks are those that have a personal story or memory for me. Easey Street [a painting pictured below by Jake Walker, represented by Melissa’s gallery Utopian Slumps] was given to me by Jake, after a conversation we had over lunch about navigating ‘the art world’. The gallery used to be on Easey Street (in Collingwood), so it was a kind of tongue in cheek thing… ‘living on Easy Street’, ha!”

Photographs by Paul Barbera (grazie Paul!). Paul works across Australia, Europe and the US on editorial, artistic and commissioned projects. His book Where They Create was published by FRAME in 2011. 

Simon recently sat on the can for Who gives a crap, a project that aims to build toilets in the developing world. Or, if you like feel-good beer (who doesn’t?), visit Shebeen for updates on Simon’s upcoming bar and sustainable enterprise.

               

Featuring artwork (in order of appearance) by: Caleb Shea, Brendan Huntley, Amber Wallis, Mark Rodda, Bec Worth & Joanna Zawadzka, Kate Smith, Amiel Courtin-Wilson, Tin & Ed, Ben Sanders, Newell Harry, Jake Walker, Josey Kidd Crowe, Thomas Jeppe, Lauren Berkowitz, Tai Snaith, Conor O’Brien.

BACK

Recent Articles

  • A Natural Alliance

    In a time when extraordinary experiences are being promoted by cities, towns and regions as part of a tourist package, the natural environment is under pressure to enhance its existing assets in order to be shared, liked, meme-d and appreciated. Georgia Nowak – via 'Future West (Australian Urbanism)' – looks at how new tourism infrastructure in national parks could support their conservation
  • Helen Wright: Rise and Fall

    Tasmanian artist Helen Wright (the artist featured on the cover of our latest print issue!) is concerned with the uneasy coalition between humans and the natural world. Through her paintings, drawings, prints and the cast sculptures we see a playful yet political reminder of the fragile balances of this relationship. Here, she shares with us some of the thinking behind her multidisciplinary practice
  • STREAT: Goodness in every drop

    Founded in 2009 by scientist-turned-social entrepreneur Bec Scott and her partner Kate Barrelle, STREAT has made a name for itself as a social enterprise that works with homeless and at-risk youth to introduce a sense of belonging through personal and professional development in a hospitality setting. Hudson Brown sits down with Bec to hear the story behind STREAT's success