Melissa, Simon & Gustov: utopian heights
“This used to be Tai’s place [artist Tai Snaith]. She moved out and wanted to keep it ‘in the family’ and offer it to friends and we were lucky enough to take over the lease. I work from home on Mondays and Tuesdays as well as in the mornings before the gallery opens. Both of us are self-employed so we’re always working around the kitchen table on our laptops (and we’re trying to enforce a ‘no laptops upstairs in the bedroom’ rule). There’s an office downstairs: computer programmers and designers. It works out well – they keep to business hours and get work done. There are always people coming in and out for meetings, so it keeps things interesting. I was in East Melbourne before. It was tiny, like a hotel room! It had a little kitchen and bathroom, but I never felt confined, because half of the area is parklands. This space is generous by comparison. We can have dinner parties. In East Melbourne, when I had people over for dinner, we’d have to have picnics on the ground or eat on the bed! My favourite artworks are those that have a personal story or memory for me. Easey Street [a painting pictured below by Jake Walker, represented by Melissa’s gallery Utopian Slumps] was given to me by Jake, after a conversation we had over lunch about navigating ‘the art world’. The gallery used to be on Easey Street (in Collingwood), so it was a kind of tongue in cheek thing… ‘living on Easy Street’, ha!”
Simon recently sat on the can for Who gives a crap, a project that aims to build toilets in the developing world. Or, if you like feel-good beer (who doesn’t?), visit Shebeen for updates on Simon’s upcoming bar and sustainable enterprise.
Featuring artwork (in order of appearance) by: Caleb Shea, Brendan Huntley, Amber Wallis, Mark Rodda, Bec Worth & Joanna Zawadzka, Kate Smith, Amiel Courtin-Wilson, Tin & Ed, Ben Sanders, Newell Harry, Jake Walker, Josey Kidd Crowe, Thomas Jeppe, Lauren Berkowitz, Tai Snaith, Conor O’Brien.
- The 7th print issue of Assemble Papers, 'In/formation', considers activism, collective action and the power of people in the information age. (The Beyonce reference in this issue's title is a happy accident.) Here, AP editor Sara Savage explains some of the thinking behind this issue, published in partnership with CLIMARTE, the clever folks behind the biennial ART+CLIMATE=CHANGE festival
- Liberate Tate is an activist art collective, formed shortly after the Deepwater Horizon oil spill, that spent six long years campaigning British cultural institution Tate to drop its oil company funding through a series of nearly 20 unsanctioned performances, interventions and protests. Sara Savage speaks to co-founder Mel Evans about 'Big Oil', ethical sponsorship and the power of performance
- Tiggy cafe's Sarah Booth and Julia Dunne share a recipe they learned from Nayran Tabiei, cooking teacher at Free to Feed, a pop-up cooking school in Melbourne taught by refugees and asylum seekers. The recipe? Nayran's Tas Kebab – originating in Turkey, over the centuries it's a dish that has made its way across the region and appears here with a Syrian twist