Melissa, Simon & Gustov: utopian heights
“This used to be Tai’s place [artist Tai Snaith]. She moved out and wanted to keep it ‘in the family’ and offer it to friends and we were lucky enough to take over the lease. I work from home on Mondays and Tuesdays as well as in the mornings before the gallery opens. Both of us are self-employed so we’re always working around the kitchen table on our laptops (and we’re trying to enforce a ‘no laptops upstairs in the bedroom’ rule). There’s an office downstairs: computer programmers and designers. It works out well – they keep to business hours and get work done. There are always people coming in and out for meetings, so it keeps things interesting. I was in East Melbourne before. It was tiny, like a hotel room! It had a little kitchen and bathroom, but I never felt confined, because half of the area is parklands. This space is generous by comparison. We can have dinner parties. In East Melbourne, when I had people over for dinner, we’d have to have picnics on the ground or eat on the bed! My favourite artworks are those that have a personal story or memory for me. Easey Street [a painting pictured below by Jake Walker, represented by Melissa's gallery Utopian Slumps] was given to me by Jake, after a conversation we had over lunch about navigating ‘the art world’. The gallery used to be on Easey Street (in Collingwood), so it was a kind of tongue in cheek thing… ‘living on Easy Street’, ha!”
Simon recently sat on the can for Who gives a crap, a project that aims to build toilets in the developing world. Or, if you like feel-good beer (who doesn’t?), visit Shebeen for updates on Simon’s upcoming bar and sustainable enterprise.
Featuring artwork (in order of appearance) by: Caleb Shea, Brendan Huntley, Amber Wallis, Mark Rodda, Bec Worth & Joanna Zawadzka, Kate Smith, Amiel Courtin-Wilson, Tin & Ed, Ben Sanders, Newell Harry, Jake Walker, Josey Kidd Crowe, Thomas Jeppe, Lauren Berkowitz, Tai Snaith, Conor O’Brien.
- Assemble directors, Ben, Pino and Quino, contribute to the current debate on Victorian apartment design standards by taking a look at the history of apartments in Melbourne, the current market dynamics, the impact of regulation in NSW and the potential impact of those standards here in VIC. This is a vital, complicated and passionate debate for our city and one which we encourage everyone to participate in
- Best known for his later work on the Victorian Arts Centre and National Gallery, it was between 1939 and 1941 architect Roy Grounds finessed his trademark Modernist style on a series of apartment buildings in and around Melbourne's inner southern suburbs. James Stephens and James Geer explore one of the most iconic, Toorak's Moonbria, an ode to Grounds' enduring architectural legacy.
- The 1930s Best Overend-designed Cairo Building on Nicholson Street, Fitzroy, is an example of minimal living mastery that inaugurated our This Vertical Life column in 2012, with an article that reflected on the modernist apartment building through the eyes of former residents looking back fondly